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the framing story is brilliantly worked, and the key to it is of course the pivotal role of the title character. harris has said that he was fascinated by the idea of a serial killer with a conscience, and it was one of the sources of inspiration for the film. the idea of a victim who can hold out against his murderer is a fascinating one, and one that has been explored in the books of patricia cornwell, who also wrote the screenplays for both hannibal and the silence of the lambs.while the murder of the psychiatrist, dr fell, is the key turning point in the story, hannibal is a tale of two halves. the first half is focused on the growth and eventual moral awakening of our titular psychopath. his first victim, ed gein, is a model of the lone, isolated, self-contained, and wholly deranged criminal. dr fell, however, begins to understand his need for love, family, and understanding, and eventually comes to realise the fact that he needs to be cured, rather than killed. the second half is the story of hannibal's escape from prison, and the hunt for him by police and fbi agents.it is also true to say that the film is less about hannibal, and more about the character of clarice, who is left to deal with the aftermath of her work. she cannot return to the fbi, and even though she has to stay in italy, she is isolated from her colleagues in the us.in the show, hannibal eats the first nine victims in his early days, before meeting his "family" and getting the contract on pazzi, but his long ago relationship with his "family" is definitely a metaphor for the relationship between hannibal and will, who met in the early 90s, and who is the youngest, and perhaps the weakest, of the family. we see this in the first season when will, on his first job as a profiler, is called away from his son, is given an assignment and then rejected by him, and told to call him back. in season 3, he tries to impress hannibal by taking the title of fbi profiler from him, in exchange for some sort of unspecified favour.
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