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gilmours lyrical oblique style allowed him to find his way to the truth without getting bogged down in explicitly explaining it. after the band realized how dark the lyrics were, they made alterations that made the song more "appropriate" for the time, which is why they were used as a single instead. the beat was supplied by the band, while waters played bass while the group were locked in their bout of creative fervor. they were in los angeles at the time, where a young gilmour and gilmours wife were staying at the home of alain whyte and his girlfriend. when the couple came home that night, they made a peculiar noise. the group were so inspired by their work that they began recording their next album the same night.as gilmours wife and alain whyte listened to the tape after the band had left, they found that the song was not only dark, but very effective. they went to take it to rock producers mark pinkus and david richards, hoping they would sign gilmours other two demos. the other tracks were 'arnold layne' and 'see emily play'. gilmours wife also suggested to give it to her father, kenneth.in 1973, gilmours original mr version of grantchester meadows was recorded, but was not released until this year. as with waters tune, the slightly tempo-less song pays homage to the classic sombre, country folk structures of lost england. the lyrics are wonderfully straightforward and country-folksy - i sit on a hay bale, smoking a pipe, minding my own business, minding my own business, as the wind blows through the rushes.
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