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澎葉生 × 徐瑞謙|材料行

給火星人類學家 To Martian Anthropologists
2021-06-09
01:29
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#給火星人類學家#徐瑞謙#澎葉生

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澎葉生
聲音藝術家澎葉生,利用周邊物件、電聲與表音文字來進行創作,對動物、大自然、城市以及異常的聲音現象著迷。他同時和視覺藝術家、舞蹈家合作並設計電影音效。自2007年起長居臺灣,探索島上的「音」景,與生物學家共同進行藝術與科學的計畫。

徐瑞謙 × 澎葉生
材料行
2020|互動響應式網頁
此作品從藝術家徐瑞謙曾使用過的材料著手,建構一個如同建材行裡分類得當的型錄,但材料沒有常規的尺寸或說明,而是以各自的「聲響」取代。各品項在介面中被使用者滑動、抽取與挑選,像是參與藝術家創作前篩選媒介的過程。那些在型錄中的媒材,並非各自為政,而更像是一個個團塊,在數位的彼端躍躍欲試地等待,等待被擷取,等待一個未來的觸動。
https://martian.beauxarts.tw/artwork/hsu_juichien_yannick_dauby_material_store


Yannick DAUBY
Background in musique concrete and improvisation, the sound artist uses found objects, electroacoustic devices and phonographies for creation. As a field recordist, he has particular interest for animals or nature sounds as well as urban situations and unusual acoustic phenomenon.He often collaborates with other musicians, visual artists and dancers and makes sound design for films. Based in Taiwan since 2007, he keeps exploring the island’s soundscape and creating art & science projects with biologists.

Jui-Chien HSU × Yannick DAUBY
Material Store
2020|Interactive and responsive web page
The artist conceives the work from the media he employed and constructs a catalogue well classified like that in a building materials company. Instead of the conventional sizes or desciptions of the materials, it contains all sorts of“sounds.” Users draw, extract and select each item on the interface, as if they were part of an artist's material selection for an unborn creation. The media in the catalogue are not separate, independent parts, but more like a clump, waiting eagerly to be captured and for a future touch in a digital beyond.
https://martian.beauxarts.tw/artwork/hsu_juichien_yannick_dauby_material_store

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