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for the most part, eco passes over the obvious and grisly implications of the figure of the jew, but instead focuses on the sublime and magical, the mythic and literary elements of the character. the jew is the origin of the word and of language itself, but he is also the figure of falsehood, of lie, of deception and the forgery of books, of religion and of religion-free books. he is the obscene, nauseating, foul embodiment of what is most beautiful and most horrible about humanity. it is this figure of the jew that eco focuses on in the prague cemetery. he presents the kahal as the true government of the jews, the source of the financial manipulation, the real shadowy, self-perpetuating power behind the scenes that appears in so many popular conspiracy theories. (similar accusations were made in the 1790s by the french catholic radical pamphleteer and publicist julien offray de la mettrie, for example, in la machine de guerre de julien offray de la mettrie, a book that would be a kind of precursor to 1984.) the kahal is also the source of all the well-known conspiracy theories, such as the protocl of the elders of zion, the most famous and best-selling anti-semitic book of all time. no less telling, the book is dedicated to none other than dreyfus himself, and eco addresses dreyfus directly at the very beginning of his adventure, when he encounters a fugitive jewish, michel ducros, a former captain in the army who has deserted his post and fled to switzerland. a few months before, dreyfus was found guilty of treason, and sentenced to life in prison, and the book is dedicated to his appeals for pardon.
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