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but the story did not start out as an expatriate one. hemingway was in italy as a correspondent during world war i. during this period, he witnessed the august 29th assault on the italian trenches by corps of french and british soldiers in which many americans took part. what emerges in the opening sentences of the sun also rises may be his assessment of the role the united states should play in the world. in it, he offers a prescient condemnation of u.s. government policy and presidents who fail to heed the lessons of history.elements of this story first appeared in the two stories that made up hemingway's 1924 collection in our town . back then, he dismissed it as a hatchet job on expatriates and retired from journalism.we had the story rather carefully, most of it in our heads. we started by having the. but it was too much of an intellectual effort to go to the trouble of writing down. we wrote and wrote the ending and then took the bulk of the material and put it in there. we didn’t write anything else.hemingway closed green hills of africa with nick speaking to a woman he wants to be his wife, and who wants to marry him. in one of the most haunting opening sentences in american literature, nick says: “don’t go telling that to anybody, not even your wife. i like to tell it to myself when i’m drunk.this is a story of people dying at the hands of strangers on a train, of a love affair and a dirty joke on a race track, of an overheard conversation in a paris café that leads to a wedding, of a treasure hunt, and of the pleasures of life in the sun. hemingway had a lot to say about war and the hunt. that said, the story goes beyond a simple examination of individual guilt. it offers a critique of both world war i strategy and the fate of that war’s victims by representing the totality of war’s damage on those who survive. in the end, the book questions the very notion of individual victimization and responsibility, as well as an unanswered demand in people that they know that they are alive.
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